Some years ago, my sister, BIL, and I drove to the Dimbula area, visiting Anglican churches and graveyards looking for evidence of our ancestors. At the quaint St. Mary’s church at Bogawantalawa, we found the grave my grand uncle, Frank Wyndham Becher Braine, who had died on March 9, 1879, at only 11 months. We may have been the first family members to visit his grave in more than a hundred years.
St. Mary’s, Bogawantalawa
That graveyard is also the resting place of a husband and
wife, Charles Hay and Julia Margaret Cameron. Julia, during and after her lifetime,
has been described as “indefatigable”, “a centripetal force”, “a bully”,
“queenly”, “a one-woman empire”, “infernal”, “hot to handle”, “omnipresent”, “a
tigress”. She was “impatient and restive”, for whom “a single lifetime wasn’t
enough”. Who was this remarkable Victorian? Why is she buried at Bogawantalawa?
Julia was born in Calcutta, in 1815, one of seven
daughters of James Pattle of the Indian Civil Service. They belonged to the
Anglo-Indian upper class, and were all sent to France - their mother Adeline
Marie was of the French aristocracy - for their education. The sisters were
well accomplished and known for their “charm, wit, and beauty”, and “unconventional
behavior and dress”: they conversed among themselves in Hindustani, even in
England. They served curry. They all married well, four spouses being fellow Anglo-Indians in the civil service and
military.
Julia lived at various times in England, France, back in
India, South Africa, in India again, on the Isle of Wight, and finally in
Ceylon. Travel to Cape Town in 1835 was for her health, after recovering from
serious illnesses. Charles Hay Cameron, a distinguished legal scholar from
Calcutta, was also in Cape Town, perhaps after a severe bout of malaria. They met,
and married back in Calcutta in 1838. Charles was twenty years her senior.
Together, they raised 11 children, five of their own and the rest adopted.
Julia’s introduction to London’s artistic and cultural
milieu came in 1845, at her sister Sara Prinsep’s residence in Kensington. Sara
conducted a salon at home, where poets, artists, writers and philosophers such
as Tennyson, Rossetti, the Brownings, Longfellow, Trollope, Darwin, Thackeray,
Henry Taylor, du Maurier and Leighton were regular attendees. Julia’s “hero
worship” of these luminaries began at that time.
“Dimbola”
In 1860, the Camerons moved to the Isle of Wight, to a
home named “Dimbola”, obviously after Dimbula in Ceylon, where Charles Cameron
had invested in vast coffee and rubber plantations. He had served on the
Colebrooke-Cameron Commission (appointed in 1833) to assess the administration
of Ceylon and make recommendations for administrative, financial, economic, and
judicial reform. The poet Henry Taylor, a close friend of Julia, wrote that Charles
had “a passionate love for
the island [and] he never ceased to yearn after the island as his
place of abode”.
Incidentally,
an English planter named Herbert Brett, known to my family, named his British
home “Yakvilla”. He had once been the manager of Yakwila Estate, near Pannala
in the NWP.
“Dimbola”
had been purchased because it was next door to Tennyson’s home, and a private
gate connected the two properties. Better known as Alfred, Lord Tennyson, he
had become Britain’s Poet Laureate by then. Julia and the poet addressed each
other by their first names. When he refused to be vaccinated against smallpox,
Julia supposedly went to his home and yelled at him: “You’re
a coward, Alfred, a coward!”
Soon, the Cameron and Tennyson families began entertaining
well-known visitors to the Poet Laureate with music, poetry readings, and
amateur plays, creating an artistic ambience similar to that seen earlier at
Sara Princep’s home in Kensington. in keeping with Julia’s personality, the
activities could be indefatigable. “Mrs.
Cameron seemed to be omnipresent—organizing happy things, summoning one person
and another, ordering all the day and long into the night, for of an evening
came impromptu plays and waltzes in the wooden ballroom, and young partners
dancing under the stars”, wrote Anne Thackeray, the novelist’s daughter. Even
Julia’s generosity could be overwhelming. Henry Taylor expressed this best: “she keeps showering upon us her ‘barbaric pearls
and gold,’—India shawls, turquoise bracelets, inlaid portfolios, ivory
elephants”.
Photography
A turning point in Julia’s life came in 1863, when she
was already 48. Charles was in Ceylon, and Julia was bored. A daughter gifted
her a camera to keep her “amused”. A clumsy affair in those early days of
photography, it consisted of two wooden boxes, bound
in brass, one of which slid inside the other, with a single focus lens. The
timber tripod was unwieldy. Images were recorded on a heavy, rectangular glass
plate measuring 11 x 9 inches.
Julia took to photography with her usual
energy and enthusiasm, converting a chicken coop to a studio. If the camera was
clumsy, the process of photo development was even more complicated and challenging,
with the use of chemicals – collodion, silver nitrate, potassium cyanide, gold
chloride (even egg white was used) – and the need to work quickly. Julia’s
hands and clothes are said to have become black and brown with the chemicals. The
process was riven with trial and error.
Julia managed to coerce illustrious
visitors to Tennyson’s home to pose for her. They included Longfellow,
Trollope, Darwin, John Herschel, Robert Browning, the painter George Watts,
Thackeray, Carlyle, and Lewis Carrol, and Tennyson, of course. Her photograph
of Tennyson is shown on this page. The men were photographed in pensive moods, intended
to capture their “genius”. She also photographed women for their beauty, and
children as “innocent,
kind, and noble”, a prevailing Victorian notion.
Tennyson, photographed by Julia Cameron
put a crown on my head and posed me as the heroic queen. … The exposure
began. A minute went over and I felt as if I must scream, another minute and
the sensation was as if my eyes were coming out of my head … a fifth—but here I
utterly broke down …” No wonder Tennyson called Julia’s sitters “victims”.
Showing sound business acumen, Julia copyrighted, published, exhibited
and marketed her work. Harper’s Weekly,
writing on a London exhibition in 1870, noted that “many art critics to go into raptures over
[Julia’s] work as something beyond the range of ordinary photographic
achievement”.
For the sake of brevity, I
have focused on her portraits. She also photographed individuals and groups of
people depicting allegories, religion, and literature; illustrations for
Tennyson’s Idylls of the King being
especially noteworthy. In Ceylon, her
subjects were mainly ordinary people and plantation workers. Her career
wasn’t long – only 12 years – and despite criticism of her work for technical
imperfections and the numerous challenges she faced, Julia produced about 900
photographs. An incredible feat.
To Ceylon
From the early 1840s, Charles had bought
up sprawling extents of land at Ceylon at bargain prices, and was thought to be
the biggest landowner in Ceylon. The 1850s and 60s were the best years for
coffee. But, in addition to being absentee landlords, the Camerons faced other
problems: extremes of weather, a shortage of labor, transporting the coffee to
Colombo on poor roads, incompetent managers, and, finally, the devastating
coffee blight.
Charles was in poor health - “receiving visitors in his bedroom or walking about the
garden reciting Homer and Virgil” - and had not worked since 1848, and the expenses of supporting
a large family and their lifestyle at “Dimbola” had forced the Camerons to
borrow heavily. In 1864, Charles admitted to being virtually “penniless”.
Charles was keen to move to Ceylon, but
Julia was not. Attempting to change her mind, he wrote her a moving, lyrical
description of his “Swiss cottage” bungalow and the surrounding plantations in
Ceylon. In Ceylon, the cost of living would be cheaper, and he was confident
that his health would improve. Later, Julia
wrote that Charles’ passion for his Ceylon properties had “weakened his love
for England”. Lord Overstone, their main creditor, was pressuring them to sell Rathoongodde (Rahathungoda), their plantation in the
Deltota area managed by son Ewen.
Finally, Julia gave in, partly because
four of their sons were already in Ceylon. Charles’ health is said to have
magically improved. In 1875, when she was 60 years old and Charles was 80, they
left “Dimbola” for Ceylon, taking a maid, a cow, Julia’s photographic
equipment, and two coffins, packed with china and glass. Henry Taylor noted
that they had departed for Ceylon “to live and die” there, and that Charles had
“never ceased to yearn after the island as his place of abode”.
Their son, Hardinge, the Governor’s
private secretary, owned a bungalow on the river at Kalutara, on the western
coast. Julia and Charles divided their time in Ceylon between Kalutara and their
plantations in the hill country. Julia soon fell under Ceylon’s spell, writing
that “the glorious beauty of the scenery — the
primitive simplicity of the inhabitants & the charms of the climate all make
me love Ceylon more and more”.
When the botanical painter
Marianne North visited the Camerons at Kalutara, Julia went into a “fever of
excitement” at having found a European subject. She dressed North up “in
flowing draperies of cashmere wool” (despite the intense heat), with “spiky
coconut branches running into [her] head” to be photographed. A remarkable
photo taken by Julia shows North standing at her easel on the spacious verandah
of the Kalutara house, with a bare-bodied “native” holding a clay pot over his
shoulder.
After a visit to England – four weeks of “turmoil, sickness, sorrows, marriages, and deaths” - Julia developed a dangerous chill (pneumonia?) upon her return to Ceylon. She died on 26 January1879 at Glencairn Estate. Charles and four of her sons were with her. Her coffin was drawn by white bulls and also carried by plantation workers to St. Mary’s. Charles died a year later and was also buried at St. Mary’s.
Back to the Braines
My great, great grandfather, Charles
Joseph Braine, arrived in Ceylon in 1862, as the manager of Ceylon Company,
which I believe is the predecessor of Ceylon Tea Plantations Company that
eventually owned and managed vast acres of tea as well as rubber and coconut.
By 1880, he is listed as the first owner of Abbotsleigh Estate in Hatton. (In
contrast with Charles Cameron and Herbert Brett, who named their homes in
England after plantations in Ceylon, Charles Joseph named his plantation in
Ceylon after his property, Abbotsleigh, in England.)
The Camerons arrived in Ceylon in 1875.
British planters, away from home and often stationed in remote plantations,
socialized mainly at two locations: their clubs, and at church. I have no doubt
that Charles Joseph Braine and the Camerons had met at the club, perhaps even
during Charles’ previous visits to his plantations, and at church, especially
when the Camerons stayed at the nearby Glencairn Estate, managed by their son
Henry.
St. Mary’s Church, Bogawantalawa, was
dedicated in 1877. Although Charles Cameron wasn’t religious and did not attend
church, Julia did, traveling perhaps on horseback or bullock cart like the
families of fellow planters. The Camerons gifted three stained glass windows to
St. Mary’s, and that is obviously where Julia worshipped and both she and
Charles wished to be buried.
Charles Joseph Braine’s son, Charles
Frederick (my great grandfather) arrived in Ceylon in 1869, at 19 years of age,
six years before the Camerons did, and worked at Meddecombra Estate in the
Dimbula area. Later, he was the manager of the vast Wanarajah Estate. He, too,
may have met Charles and later Julia Cameron. Braine must have worshipped at
St. Mary’s, because, as I stated at the beginning of this article, his infant son
was buried at St. Mary’s churchyard in March, 1879, only two months after Julia
was buried there.
My grandfather, Charles Stanley, was
born in Ceylon in 1874, and, as a child, is likely have met the Camerons, or at
least Julia, at church. He has an angelic appearance in an early photograph –
“innocent, kind, and noble” – the type of child Julia preferred to photograph, and
I like to imagine Julia tousling his hair! Hence, although no records exist,
three generations of my ancestors are likely to have been acquainted with the
Camerons, and perhaps worshipped alongside her at St. Mary’s.
The legacy of the Camerons
Julia
Margaret Cameron is acknowledged now as one of the most important portraitists
of the 19th century. Her work has been exhibited in important galleries and
museums in the UK, the USA, Japan, and elsewhere. The photographer Stephen
White, who calls Julia a “revered figure” in the history of photography, wrote
in 2020 that an album of Julia’s photographs was valued at £3 million. Each of
her prints are said to be worth about $50,000.
The Cameron home on the Isle of Wight,
“Dimbola”, is now owned by the Julia Margaret Cameron Trust, and consists of a popular
museum and galleries. It has a growing permanent collection of Julia’s
photographs, and is dedicated to her life and work.
When I visited St. Mary’s church in 2012,
looking for evidence of my ancestors, the churchyard was covered in weeds. Stephen
White, who visited St. Mary’s Church in 2017, lamented that the grave of “a woman whose photographs still stirred thousands with their
beauty, and whose name was spoken with reverence by lovers of photography
around Europe and the States” could be so “forlorn …
unattended [and] unadorned”. A photograph of the grave that accompanies his
article indeed shows a neglected gravesite, the curb cracked. The more recent photo
shown here, from the Thuppahi’s blog, displays a better maintained grave.
Ismeth Raheem wrote that the house on
Glencairn Estate where Julia died had been demolished in 2021.
While Julia is the better known of the
Camerons, Charles made a lasting impact on Ceylon as a member of the
Colebrooke-Cameron Commission, which, among other contributions, provided a
uniform code of justice for the island. His on and off association with Ceylon
was much longer, about 50 years at the time he died. A romantic at heart, he
loved Ceylon with a passion.
Charles & Julia Cameron’s gravesite at St. Mary’s
churchyard